Transcript

Ag Úirchill an Chreagáin, ó, sea chodail mise aréir faoi bhrón,
Is le héirí na maidne tháinig ainnir fá mo dhéin le póg,
Ó, bhí gríosghruaidh dhaite aici is bhí loinnir ina céibh mar ór,
(Agus ba é aoibhneas an domhain domhsa) ag amharc ar an (fhaoilinn) óg.

Ó, a théagar is a chuisle, ó, más cinniúinte duit mé mar stór,
Ó, éirigh i do sheasamh is siúil liom féin siar sa ród,
Go tír deas na meala nach bhfuair Gallaibh ann cead réim is nach bhfaghann[1],
(Gheobhaidh tú aoibhneas) ar hallaí do mo mealladh féin le siamsa an cheoil.

Translation

At the Churchyard of Creggan, oh, that's where I slept in sorrow last night,
And when morning was breaking a young woman came towards me with a kiss,
Oh, her cheeks were glowing and rosy and her hair shone like gold,
And it was the most delightful thing in the world for me (?) to look at the graceful young woman.

Oh, my darling and beloved, oh, if you're destined to have me as your love,
Oh, stand up and walk west along the road with me,
To the lovely land of honey where the Foreigner does not rule nor won't,
You'll be enchanted (?) in halls enticing me with amusing music.

Footnotes

Commentary

Parts 1 and 2 of this recording comprise a version of 'Úirchill an Chreagáin', which is one of the most popular Irish songs to come out of south-east Ulster. It is an example of an aisling ('vision-poem') and was composed by Art Mac Cumhaigh (1738-1773) of the parish of Creggan in south Armagh. According to an oral tradition documented in Liam Ó Conchubhair and Derek Bell, Traditional songs of the north of Ireland (Dublin, 1999), 12, the poet composed the song one afternoon while working as a labourer leading a horse drawing manure up and down Leyther Hill, Glassdrummond, for Rev. Hugh Hill of Mount Hill, near Creggan. The format and structure of the song is one of a poetic conversation between the poet and a spéirbhean ('visionary beautiful woman'). It reflects the hardship Gaelic poets experienced once the Gaelic nobility, upon whose patronage poets had depended for centuries, had been dispossessed. In a detailed discussion of the song, Padraigín Ní Uallacháin documents the local tradition that Mac Cumhaigh composed it while he was sheltering in the burial vault of the O'Neills of Fews in Creggan graveyard towards the end of his life (see Ní Uallacháin, A hidden Ulster: people, songs and traditions of Oriel (Dublin, 2003), 250-8: 254). Mac Cumhaigh's description of the spéirbhean is in keeping with the general characteristics of other eighteenth-century aisling poems. She generally represents Ireland and often heralds the arrival of help from France, Spain, or Bonnie Prince Charlie. But unlike his Munster contemporaries, Mac Cumhaigh does not receive any such message from the spéirbhean but instead he is enchanted by her invitations to abandon his dismal life and accompany her to the idyllic land she describes. Mac Cumhaigh is believed to be buried in Creggan graveyard. Another verse (i.e. part 2) of this song can be found on a separate track in the Doegen collection. This song is transcribed also in Róise Ní Bhaoill, Ulster Gaelic voices: bailiúchán Doegen 1931 (Dublin, 2010), 320-3. An instrumental version is included on Séamus Ennis's LP The ace and deuce of piping (Collector/Selection Records, 1960).